Saturday, February 14, 2015

Of Love and Romance: The Real Message Behind 'Old Fashioned'





Delighted to have special Valentine's guest Rene Gutteridge on the blog today talking about Old Fashioned 

I loved this movie!  Though it is not showing in Canada right now, I was so privileged to watch a preview copy.   If you would like to read some of my thoughts on it, please go here 

Another note: Old Fashioned is a movie which resonates with the Christian experience and speaks best to the Christian experience. Please keep this in mind if you decide to see it. 







The Real Message Behind Old Fashioned
By Rene Gutteridge

                  Years ago, when my husband and I were first married, we decided to boycott Valentine’s Day.  Besides the awful commercialism of it, it also brought along with it false senses of emotion.  In our youth, getting a card or a bear or a chocolate rose meant we were valued.  If those items were received, it sent us on highs that rivaled certain subsets in Colorado, and lows if our school lockers remained empty.  In our college days, spending Valentine’s Day alone was cause for consideration of our very existence.  Will anybody ever love me?  Am I destined to spend life alone?  Am I worthy for even the sun to shine upon me? 
Then, as a young married couple, it was unclear if a box of chocolates was sufficient or if it should be diamond earrings.  Nobody knew.  Hallmark’s message was pitting itself against Kay Jewelers and it was just so darn confusing.
                  For that reason—and the fact that we had little money—we decided to blow off Valentine’s Day, nobly—if not naively—choosing to love each other like every day was Valentine’s Day.
                  The sentiment mentioned above lasted about a year, until wedded bliss wore off and we mistakenly decided we could afford a house. Suddenly, our pupils were not heart shaped anymore.
                  The actual boycott of Valentine’s Day lasted a full five years, until our firstborn was old enough to understand what Valentine’s Day meant: gifts of candy that he wasn’t allowed to normally have.  This in fact was its own lie.  He had candy every day—rewarded at preschool for saying his alphabet, rewarded at home for aiming at the toilet. Somehow Valentine’s Day had convinced us that this was the only day that candy should be had, when in fact candy was had whenever we wanted.  So Valentine’s Day was not spent gifting each other, but rather our children, then stealing their candy after they went to bed because they don’t need all that.
As our kids grew older, Valentine’s Day became a chance to buy them cool things and win unprecedented favor, according to the Today’s show, until it turned into the holiday where they expect cool things because of their belief that they are highly favored.  Now we spend the week of Valentine’s Day lowering everybody’s expectations.  “A new iPhone?” they’ll ask.  “How about new ear buds,” we reply.
                  My husband, Sean, and I have been married 19 years. I can honestly say they’ve gone by in a flash.  Our life circumstances in general have had a lot of different challenges, and in place of romance, we’ve often times relented to simply trying to survive particularly rough seasons.  Some people may rebuff this, scolding us for not taking the time to date each other and spend certain anniversaries on Groupon cruises.
                  But what has been forged through these fires has been something awfully deeper than date night.  Those vows we spoke to each other years ago have become rock solid.  We have found ourselves on the other side of them, realizing we didn’t just say them, but kept them.  You sort of come crawling out of the tar pit with your backside smoking.  You collapse to the ground, reach for one another with grotesque, black, melty hands and say, “My gosh, we made it.”  You might smell like a rancid version of sulfur but you’re not leaving the other man behind.
                  As you can see, I’m the picture of romance.  The truth is, I’m not a big fan.  The idealist behind Valentine’s Day—Cupid himself—is sort of where the problems start, and it’s downhill from there.  Not that romance doesn’t have its place. But when all your feelings begin and end on the shallow  sensibilities of a pudgy man-child in a diaper, you’ve already shot yourself in the foot with the kind of weapon only Jennifer Lawrence wields well.
                  So, when Tyndale asked me to read Rik Swartzwelder’s script for Old Fashioned, to see if it was a project I could wrap my enthusiasm around, I wasn’t thrilled at first. Though Tyndale has a talent for picking worthwhile, out-of-the-box projects, I assumed from the title that Old Fashioned would be the kind of story that you’d expect from the genre—the delightful little wrapped chocolate inside a predictable heart-shaped box.
                  I opened the script up late one night, intending to read thirty or so pages just to get a feel for how romancy this thing was going to get. I figured I’d need a good, stiff espresso in the morning to push myself through the rest of it.  My view is that romance carries you about as far as a man can reasonably carry a woman without grunting—which is basically just on the other side of the threshold.  Then you’re dropped with a thud and forced to dust yourself off.  Romance as the world has shown us lasts as long as the heart shaped chocolate box, the one with a measly five chocolates.  You couldn’t spring for the one with twenty?  
But Old Fashioned surprised me.  This was not, as people have presumed, a story about the right way to do romance.  “We’re Old Fashioned, you’re not, so we’re better than you.”  Deep within this story is this amazing gem…the thing that I emotionally collapsed over…the reason that I wanted to be, I desperately had to be, a part of this project.  The reason why I read it straight through that night.
                  The story is about brokenness.   It’s told through the eyes of two characters.  By-the-book Clay is the epitome of brokenness through sin, climbing his way back to forgiveness through rules he’s imposed upon himself and everyone else.  Free-willed Amber is running from a past and a life that has brought her nothing but grief, refusing to be caged by anything ever again, including a man.
                  These two characters find their way to each other, perplexed by the other’s choice of coping mechanisms.  In the midst of viewing themselves as virtually unlovable, they find the courage to love anyway.  And birthed right there is healing.  And from healing, hope.  And from hope, love.  And from love…date night.
                  What drew me so much to Old Fashioned was that it was real.  So often we want to idealize romance, and in particular Christian romance and love.  We want to step it out like an AA program.  We want an owner’s manual as if it were a Buick.  We take Solomon’s book on love and forget the heart- rending stories of the other lovers of the Bible, whose commitments to one another withstood some of the harshest, most treacherous and least romantic environments ever recorded.
                  Old Fashioned will make you squirm, because it reveals two characters crushed by a broken world, chained to unsightly pasts, clawing their way to feeling loved again.  You’ll squirm because you’ll see yourself in them.
                  That’s what hooked my heart.  That’s why I cried when I read the script, and then cried again when I wrote the book and then again when I watched the movie.  There is a line in the book: Be a good steward of your pain.  This story sheds all the preconceived notions and sparkly fairy dust of what worldly and Christian romance should be, and simply follows two characters along a painful path of self-discovery right into God’s grace.
                  At 42, romance looks different to me than it did when I was 22, and even 32.  The landscape has changed.  The priorities have changes.  The definition has changed.  I no longer feel the guilt of months gone by without date night.  The other day Sean and I went couch shopping.  More fun couldn’t have been had.  We walked around, plopping our backsides down on various cushions, trailed closely by sales-associate-by-commission Graham, who was desperately hoping we’d pick one sooner than later, and something over five-hundred bucks please.  (We could see it in his eyes.)  We wandered into the leather and entertainment section and dreamed about a 60 inch TV in front of leather recliners that had butt warmers and blue tooth surround sound that filtered through the night-glow cup holders on each arm. 
                  As we left, Sean quipped, “You know you’re old when couch shopping is a date!”  And we laughed about that and had Starbucks and reminisced about our first couch.  Why,” Sean asked, “did we pick out that pattern?”  We spent a good half hour trying to remember, because it was hideous.
                  After you spend time by book or movie or both with Clay Walsh and Amber Hewson, you will find yourself cheering these two on, not because they’ve hands down beat out every romantic endeavor known to man, but because they crawled out of the tar pit, learned of their great value apart from one another, and found forgiveness and healing from their own brokenness, so they could be together.
                  But let me just warn you now—this story has managed one of the most romantic endings I’ve ever had the pleasure of writing.  And I gobbled it down like a box of chocolates. Why?

Because it felt real.


Buy the novelization of Old Fashioned

Friday, February 13, 2015

Of Love and Romance: Locked Lips or Love Locks in Paris


[Rachel Note:  so excited to be able to share this post, originally found on Sandra Byrd's blog, for part of Of Love and Romance. Sandra is a versatile and supremely romantic voice in contemporary and historical fiction. Her most recent, Mist of Midnight, is a glorious gothic set in the ultra- Romantic Victorian era. ]



When I first told a friend that I was writing a post on the Love Locks of Paris, she teasingly asked if they related to chastity locks: those early medieval belts by which a Crusaders was supposed to reassure himself that his girl would remain true. Not quite!

Wander along the lovely Seine in Paris; stop at any number of bridges to enjoy a crepe, and the view. Many place you’ll notice the webbed metal railings alongside the stonemasonry and clasped to them are hundreds, often thousands, of padlocks. Sometimes they’re thinly scattered, with ribbons aflutter, sometimes they’re as thick as hoarding like bees on a honeycomb.

Locked Lips or Love Locks in Paris?


Although locks with lovers names have a history throughout European bridges dating back perhaps a hundred years, in Paris, they only began to show up in 2000. Most often they have “his” and “her” names on either side of the lock and then are hooked, permanently they hope, to the side of a bridge in the City of Light and Love. As long as the lock, lasts, so goes the hope, so shall the love.


According to an article in The New York Times, “The Paris town hall expressed concern: what about the architectural integrity of the Parisian landscape? One night about two years ago, someone cut through the wires and removed all the locks on one of the bridges. But in just a few months, locks of all sizes and colors reappeared, more conspicuous than ever.”


Alas, keeping love alive requires more than simply firmly clasping a lock to keep your lover true, whether it be a chastity lock or hooking a Shlage or Kwikset through the rails of a Parisian bridge. As French philosopher Marcel Proust, “We only love what we do not wholly possess.” Isn’t that the very opposite of a lockdown? Much better to lock lips, and perhaps put a ring on it, instead.




What do you say – delightful ode to eternal love or deadly-locked display? What makes love last for you?

visit Sandra Byrd on the web


Thursday, February 12, 2015

Of Love and Romance: A Plan for Love by Sara Goff





So excited to keep the Love and Romance theme going in honour of Valentine's Day.  Also excited about Sara Goff's upcoming release for WhiteFire

While Sara talks love here, make sure you head over to EIR for the first instalment in Rachel's Reading Life: wherein I talk about Love to Hate 


Now, Sara Goff:

A Plan for Love

I Always Cry at Weddings is about a young woman's search for Love in New York City. I color the story with details from the Big Apple because where we are from and where we choose to live is integral to who we are -- and recognizing our true identity is integral to knowing love. Ava Larson, in her mid-twenties, wants to be loved for who she is, but she hasn't quite figured out who that woman might be, and the purposeful life she longs to live feels like a distant dream.




Ava meets the wrong man in college -- Josh, who appears to be the perfect catch. He has the right family, the right career path, and, yes, the right looks. Straight out of college, she seizes an opportunity for a challenging and coveted position in Bergdorf Goodman corporate buying offices. She's soon to be married and can see a clear path to having her own family. Her coworkers respect her work, and her parents are proud of her decisions. It feels wrong to want more, but she does. A lot more. She wants to do something creative with her life, something that helps or inspires others, and she wants a deeper love from the man she marries.

The secure life she's begun feels as superficial as Second Life, or one of those online reality games, and particularly in her relationship with Josh. His greatest passion in life is keeping up appearances. But then, isn't she doing the same? She's not living true to herself, so naturally her relationship will feel incomplete, as though it's missing the mark. Weeks before the wedding, facing the sacrament of marriage, Ava realizes she can't say her nuptial vows with a lie in her heart. If she commits to the lie now, it will take over her life like an incurable infection.
 
Have you ever made a leap of faith, leaving behind the life you've known to follow a dream, a calling? She prays that there's another, more honest life out there for her, the right path, a Plan A.

Bette Davis said in the film All About Eve (1950), "Fasten your seatbelts. It's going to be a bumpy night." Once Ava sets out in Manhattan on her own in I Always Cry at Weddings, you could say, "Fasten your dress. It's going to be a long dance." When faced with many options and obstacles, it’s easy to become confused and discouraged. Luckily, we don’t have to make the journey alone. Ava leaves behind a lifestyle of luxury and finds support from a man in a very gritty corner of the City. From a place you might call 'rock bottom', she learns from her mistakes how to live honestly and how to love unconditionally. 

If you want to know more about God's Plan A, I recommend No Plan B: Discovering God's Blueprint for Your Life by Nelson Hannah. God's Plan A is about making the right choices and fulfilling your potential. Relax. It's not about what you can do, but what you're meant to do with faith in God as your guide.

About ~ I Always Cry at Weddings ~
Ava Larson is going to bring all the other brides to tears.  Engaged to a wealthy NYC socialite's son, Ava is ready to set the city abuzz with her glamorous wedding.  At least until she realizes her relationship isn't what it should be.  Then, in a move as daring as a red satin dress, she does the unthinkable--she calls it all off and makes a promise to God that from now on, she'll save sex for marriage.

She's convinced the future is hers for the taking, especially when an undercover cop promises a new romance...and an unexpected friendship with the homeless guy under her stoop brightens her days.  But when her carefully balanced life teeters out of control, weddings aren't the only thing to make her cry.  Ava has to figure out what life she really wants to live...and what in the world love really means.

Pre-order on Amazon!



About ~ Sara Goff ~
Sara Goff founded the global educational charity Lift the Lid, Inc. in 2010, which supports underprivileged schools and encourages young people to exercise their creative expression through writing. Formerly a New York City fashion designer/merchandiser, Sara left her seven-year career and resolved to make a difference in the world.

Since then, Sara has been accepted into Sewanee Writers' Conference and received two fellowships to Summer Literary Seminars in St. Petersburg, Russia and Nairobi, Kenya. While living in Manhattan, she especially loved being a writing instructor for Holy Apostles Soup Kitchen Writers Workshop, founded by author Ian Frazier, and for The National Arts Club's creative writing program for students. She's spoken at the Soup Kitchen and at several inner-city high schools and Saint Francis College in Brooklyn about the writing process and the power of the written word.

Sara currently lives in London with her Swedish husband of 14 years, their two sons, ages 0 and 5, and their sweet little girl...a Yorkie named Pia. Her first novel, I Always Cry at Weddings, is a New York City story about figuring out life and finding love.

~ Connect with Sara ~

Tuesday, February 10, 2015

Of Love and Romance: Cover Reveal The Lost Heiress

Rachel Note:   I love Roseanna's work. Especially her Circle of Spies series!  Fairchild's Lady is SO Scarlet Pimpernel, you guys.  Delighted to help her promote The Lost Heiress:



I have always been a sucker for romance. I'm talking, from the playground on up. In middle school, I was reading the Mandie books by Lois Gladys Leppard, and my ultimate concern was whether Mandie and her friend Joe would get married someday.

So when I sat down at age 12 and decided to write a novel, there was no question in my mind that it would be a romance. For that matter, as I set out on this crazy path of becoming a published novelist, I never wavered much on my genre. Sometimes contemporary, mainly historical...but always romance.

Though I doubt I could have articulated it at age 12, why I write romance is pretty clear to me now: it's because I believe our best way of understanding the ultimate Love Story--Jesus's sacrifice for us and God's love for us--is through our human relationships. I've learned more about God and my faith through marriage and motherhood than any other part of my life. And so, when I sit down to write a romance, it isn't just about steamy kisses and thumping hearts. It's about how we are made holy, brought to a deeper faith, and living out God's love story for us through our earthly love stories.




That first romance I wrote back in middle school was about two best friends who fell in love. I figured that would be a safe way to handle what I had zero experience with, LOL. Well, that first book got revised, shelved, brought back out, rewritten, shelved, and finally totally overhauled. I was beyond thrilled when I sold it to Bethany House--the first publisher I queried with it at age 14 (gee, I don't know why they turned it down back then, LOL).

My heroine is Brooke Eden (her last name has changed a few times, LOL, though "Brook" has stayed the same). She's mischievous, impulsive, has what I now refer to as "a Mediterranean temper." She can always be found, as the hero says, "Chasing the dangerous when a sane person would choose a known quantity. Never settling for the mere exceptional when the magnificent was just out of reach"

My hero is Justin Wildon, heir to the (fictional) Duke of Stafford. (His name has miraculously stayed the same for the last 20 years, though his title name has changed, oh, three times.) Justin is steady, responsible, and thought it great fun to teach his young friend all the sport a girl shouldn't have learned. He's the one who always considers consequences...and who wants to make sure he does everything for the right reasons.

Unfortunately, those reasons aren't always clear. And those personalities, much as they complement each other, can occasionally create some friction. Which is, of course, great fun. =)

I've been visualizing Brook and Justin for a long, long time. So you can imagine how thrilled I was to get the cover of The Lost Heiress from Bethany House and see the model chosen to represent Brook! They did a fabulous job, and I'm so excited today to reveal the cover. The face of The Lost Heiress. Complete with blond chignon, pearl necklace, and a beautiful Edwardian gown!


Brook Eden has never known where she truly belongs. Though raised in the palace of Monaco, she’s British by birth and was brought to the Grimaldis under suspicious circumstances as a babe. When Brook’s friend Justin uncovers the fact that Brook is likely a missing heiress from Yorkshire, Brook leaves the sun of the Mediterranean to travel to the moors of the North Sea to the estate of her supposed family.

The mystery of her mother’s death haunts her, and though her father is quick to accept her, the rest of the family and the servants of Whitby Park are not. Only when Brook’s life is threatened do they draw close—but their loyalty may come too late to save Brook from the same threat that led to tragedy for her mother.

As heir to a dukedom, Justin is no stranger to balancing responsibilities. When the matters of his estate force him far from Brook, the distance between them reveals that what began as friendship has grown into something much more. But how can their very different loyalties and responsibilities ever come together?

And then, for a second time, the heiress of Whitby Park is stolen away because of the very rare treasure in her possession—and this time only the servants of Whitby can save her.


Roseanna M. White pens her novels beneath her Betsy Ross flag, with her Jane Austen action figure watching over her. When not writing fiction, she’s homeschooling her two children, editing and designing, and pretending her house will clean itself. The Lost Heiress is Roseanna’s tenth published book. Her novels range from biblical fiction to American-set romances to her new British series. She lives with her family in West Virginia. Learn more at www.RoseannaMWhite.com and www.RoseannaMWhite.blogspot.com.


to get updates on availability at other retailers, like A B&N

Monday, February 09, 2015

Of Love and Romance: Guest Carre Armstrong Gardner



Somehow Married 21 Years, or “Shouldn’t I Be in Study Hall Right Now?
Do any of you grown-ups ever stop in the middle of your day to wonder, Who’s in charge here? I do: all the time. Because even though I am an adult in full possession of a mortgage, who votes in most elections, and has 3 teenagers, somehow I mostly still feel about 16 years old. Like…I’m making payments on my daughter’s college bill, and thinking, Shouldn’t I be in study hall right now?
To my surprise, last November, I celebrated 21 years of marriage to my husband Tim. I don’t feel old enough to even be married, let alone have done it for over 2 decades which, face it, is longer than I have ever stuck to anything in life, except for the act of drawing breath. This may be why I have a nose piercing and hair the color of red velvet cake. In many senses, I suppose I am still waiting for all the adults to show up and tell me to shape up or else.

But suddenly, when it comes to knowing how to stay married, I find that I AM the adult here. I have beaten the odds and stayed [mostly] happily married to the same person on purpose for a long time. All at once, I have something to say on a subject that does not include the words, “Buy L’Oreal: you will regret the red-box brand every time.”

Ah, staying married! How I could (and shall) wax eloquent. It’s not something that happens on accident, lemmee tell you. Once, I remember an oft-divorced friend telling me mistily, “You’re so lucky you found your Mr. Right the first time around.” I nearly snorted coffee out my nose in indignation. Seriously, since when has staying married ever been about finding Mr. or Mrs. Right?
Staying married is about becoming Mr. or Mrs. Right.
See, this is a beef I have with romance novels. And my halfhearted apologies in advance to those of you who just love you a good Harlequin or Silhouette, but to me, those 250 page books end just when the real story’s beginning. They tell about the easy part! Following your hormones and primal mating urges, and all that… I always close the cover of that kind of book thinking, And then what happened the first time she was attracted to another man?
Or when his temper became detrimental to their relationship?
Or when his drinking got out of hand?
Or when she couldn’t get along with her mother-in-law and family dynamics ignited into all-out war?
This is what happens when two imperfect people, who have had the luxury for awhile now of being self-centered, try to meld their lives into one. It can get really ugly. You can kind of hate each other sometimes. Or often. Or whatever.

Back in the days when I devoured Harlequins like Corn Nuts, I remember being especially enthralled by stories with the “Arranged Marriage” theme. You know: the millionaire sheik who marries the reluctant nanny for the sake of….whatever benefit such an arrangement could possibly offer a sheik. The Gentlewoman of Reduced Circumstances who agrees to a discreet, platonic marriage in order to save the family farm. (Forgive me if I have my have my genres crossed.) I think I connected with them so strongly because I believe this:
Ultimately, every marriage is an arranged marriage.
No matter how long you’re married, at some point you’re bound to wake up some day thinking, Oh no…what have I done? And at that point, you can either spiral downhill fast, or you can start to work really hard and maybe make something beautiful happen.
So, although I’m not an expert (okay…I lie. After 21 year, I do get to be called an expert,) I would like to share with you 4 things I’ve learned about what it takes to stay [mostly] happily married for a long time:

4. Decide that you’re a complete family before you have children. The two of you together are enough. If you decide and are blessed to have children, your relationship with them should be secondary to your relationship with each other. I have not always done this one well, but I recognize the value of it. Kids grow up and move on to their own lives. And who do they leave behind in the house? Two people who started out with only each other, and will continue on together. How sad it is, if they have forgotten their own family-hood along the way. How beautiful if they’ve sustained it.

3. Don’t give the silent treatment. No matter how you grew up, please grow out of this one fast. 
There is absolutely nothing good to be gained by subjecting your spouse to 2 days of Punishment by Silence. Learn to fight quick, get it out of the way, and get on to the making up part which, after 21 years, is way more fun than it was way back when both of us were skinny, but neither of us knew a thing.

2. Choose each other over your family of origin. Do you seriously still hate his mom? Are you still vying with her father for her respect? Listen to me: both of you sit down; have a talk. Agree to have each other’s back; to be on Team Us and not on Team Them. The best thing my husband ever did for our marriage was to take my side in the early years, when his mother was doling out hefty helpings of unsolicited child-rearing advice. Choose each other first, and make your loyalties known.


1. Be best friends. If you are married, you should be your spouse’s best friend, and your spouse should be yours, period. There is no reason for a married person to have a different best friend who is the same sex as the spouse. That is just nonsense: It is wishful thinking; an escape route; it is a denial of the life that is set before you. If you are not best friends with your spouse, then become so. Work at it. Play Cribbage. Watch British television together. Eat cake for breakfast. Read poetry. Go snowshoeing in the moonlight. Being married to your best friend is so much fun that the work it may take to get there and stay there is worth it.


 My hope, on this Valentine’s Day week, is that if you are single, you will pin your hopes less on finding the right person than on becoming the right person. My wish for couples is that they might realize how much of love really is a choice. Hourly, daily choices to be the right person; to call out that right person in your mate. If you’re committed to this, you may wake up one day to discover, “I feel like I should be in study hall, but somehow, I’ve been married for over two decades.”

That’s a good thing. Long love is the greatest thing.







Friday, February 06, 2015

Of Love and Romance: Henry and Eliza by Gina Dalfonzo




You know that moment when you find out that a love story you’ve loved all your life has gone out of fashion?

Okay, maybe you don’t know that moment. But I do. I grew up loving My Fair Lady, which my mom introduced to me when I was 11. It has always been one of her favorite movies, and it quickly became one of mine as well. I’ve written elsewhere (here and here) about all the things I love about it: everything from the music to the performances to the costumes to the sets to all those wonderful words. And, of course, the relationship between Henry Higgins, the woman-hating English professor, and Eliza Doolittle, the fiery student who may be his social inferior, but who manages to teach him a few things about true equality.


classichollywoodcentral.com


In recent years, though, I’ve learned that not everyone sees it that way. It turns out that a lot of people are completely unwilling to engage with Higgins’s character at all. They approach him with the mindset that he’s sexist, so that’s it, he’s unredeemable, no hope for him, game over. Never mind that he experiences considerable character development over the course of the movie. Never mind that the actors, Rex Harrison and Audrey Hepburn, have great chemistry, and that their characters clearly come to care deeply about each other. To endorse My Fair Lady, they believe, is to endorse sexism.

Of course Higgins is sexist. He’s sexist in a broad, over-the-top way that’s clearly meant to be laughed at, not emulated. He’s the kind of character who’s begging for his comeuppance—and he gets it, and it makes him grow and change and, yes, even learn to love a woman. But sometimes I wonder if we even understand concepts like growth and change anymore. We’ve come a long way in leveling the playing field between men and women, and that’s great, but sometimes it seems like we automatically expect everyone around us, real or fictional, to come out of the womb with a full and mature understanding of these issues.

But that doesn’t seem to happen very often. Let’s face it: Nobody’s perfect. So a great love story is necessarily going to involve two flawed people. And sometimes the best ones involve those flawed people helping each other overcome their flaws, or improve their lot.

So when we deride movies like My Fair Lady (“Higgins is sexist!”) or classic fairy tales (“Too many men rescuing women!”) or other stories that don’t fit our vision of how the world needs to be, maybe we’re missing something. I’m not saying we should be okay with really bad behavior—I will definitely not be seeing Fifty Shades of Gray, for instance. But we can be okay with humanness. We can enjoy the love stories that may not display proper 21st-century ideals for men and women at all times, but that still show us men and women who have room to learn, and change, and start to recognize their own folly.


Maybe, after all, those are the best ones.


Gina is the editor of Breakpoint and the curator of Dickensblog Follow her on twitter 

Wednesday, February 04, 2015

Married to A Perfect Stranger by Jane Ashford



I was so excited when Sourcebooks sent me the link for this on Netgalley as I love a good Regency romance! I also love the trope of two married people finding love --and getting to know each other---well after the fact.

Showing great research and snappy dialogue,  John and Mary's world takes us from the domestic sphere to the Foreign Office and beyond.  John's work is such that Mary will always be half-hidden from a part of his life. The ensuing danger and mystique really helped shadow a perfectly-painted tale of 18th Century England.

On her webpage, Ashford credits Georgette Heyer and I can see traces of Heyer in her prose---- (though, reader, we do get a few *ahem* scenes that Heyer never explored ;) ) and the great narrative consciousness weaves seamlessly between John and Mary's perspectives.

Returned from sea, John expects the docile mouse that he married before his departure; whereas Mary, now skilled in being the head of a household, has a mind of her own.

Of course they are attracted to each other and of course they grow closer together--- but there are just the right amount of those misunderstandings---those bread-crumb trails that leave the reader gloriously indignant and yearning to shake the characters to attention.

I  was also quite taken with the idea of a makeshift family immediately forged when John encounters Arthur and a stray mutt, as addition to his household.

The exploration of expectations vs. reality is wonderful and rests easily at the edge of Ashford's talented pen. At one point, the narrator refers to the embroidery of tales as "Words like a patchwork quilt" and the seedy scenes taking John far from the societal hubs of the ton and relying on his penchant for eastern languages are well-developed.

"The small Somerset manor house lazed under the June sun, its red brick mellow with age, its bow windows and ruddy chimney pots aglow.  Bees hummed in the garden, where summer blooms perfumed the air. Foliage hung heavy in the small park; lawns glowed green."

Try tasting THAT on your tongue! You can never say Romance is bereft of poetical sensibility....


"Nobody likes an encroaching, managing female", he said. "Actually, quite a few people seem to!"

I loved Mary and her resolution.  SHE WILL NOT BEND!



Great book, buoyant writing, exceptional characterization

on Goodreads 
Pre Order on Amazon
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Monday, February 02, 2015

I never write people I know into books.... except for that one time that I did

There's a line ( which I am paraphrasing ) from the Sullivan Anne of Green Gables series where someone (am blanking ) tells Anne that when she is published, Rachel Lynde will think the book is about her. 


I don't consciously write people I know into stories.  There are traits and facets, most likely subconscious, borne of the fact that I think writers are like velcro and they pick up things from life along the way.....

But I wanted to somehow work the Holmesian trope of the Baker Street Irregulars  into the Herringford and Watts series.


A picture of the Irregulars from the Sherlock Holmes museum site (Kat and Karin are older and don't look as rickety)


Holmes has the trusty Irregulars led by Wiggins who run about and collect intel for a shilling and Sherlock, in the BBC, has his homeless street network. I wanted Merinda, my Sherlockian counterpart) to be able to call on a few people.  She often uses their friend Ray DeLuca, journalist and Jem's love interest, but I wanted people who could go a little deeper.

I then immediately thought of two things:  a.) how great the addition of a few riff-raffed teenagers would be b.) how two of my best ( and smartest ) friends Kat and Karin could basically run their own undercover network.

So, for the first time ever I wrote two of my friends ( de-aging them by a decade and a little bit ) into a story.    Kat being, well, my Kat--- a highly intelligent and incorrigible brand of dangerous street kid who won't let anyone get away with anything ( she has a temper) and Karin, known as Mouse,  who wears her second-or-third-hand bowler tipped strangely on her short head and bounds about where she shouldn't bound about.


Once I wrote them into the plot for A Singularly Whimsical Problem, I knew that I wanted to bring them back.... so the Herringford and Watts series has a few new recurring members: Kat and Mouse completely stolen from my friends


interesting tidbit: though they had known each other for years and years  Kat and Karin actually discovered that they were related a few years back! here they are at a favourite breakfast spot, Fran's,  looking at a family tree book and mapping out their cousin-hood. 

Sunday, February 01, 2015

Words I used to Describe my Body last month

Every month I make a pact, that I will stop the negative self-loathing and hate talk.

Every month I think: maybe this month should be different. Maybe once and for all after 20 years of body hatred,  eating disorders and body dysmorphia I will break the cycle.


Every month.

Every month I take a tally of what themes I embroidered in hatred the month before.

January ---post-Christmas with its cold nights and bevvy of work, pale skin, dry elbows and lumps and bumps best hidden under coddly sweaters--- is a usual time of skipped meals and counted carrots.  Of calories looming like a devil. Of over-exercise and water retention and copious amounts of tea and loathing.

Loathing and fear.

Is this the year I will finally let myself go?  Have I let myself go?


These are January's words:

you are stupid
you are lazy
Fat
How could you?
How dare you?
Remember how thin your thighs used to be?  No! Don't remember how you hated them then, remember how far you've come!
But I always hated my legs, my hips, my arms. I always...

And yet... look at you:  obese and pathetic.

Words I've used:

large
stupid
unloveable
undesirable
pudgy
marshmallow
lazy
unrefined
unladylike
Why does anyone want to be your friend?  Why would anyone want to hang out with you? You better stay in.  You better not go out. Don't got on a date. Don't talk to anyone. They don't want to see you like this.

These are January's words and I would leave them in the past--  I would desperately try to leave them in the past.

But the words are a cycle and they rear their heads.  No matter how many log-ins to a counting site, gym sessions, meals skipped and loathing self-talk.

They come back: magnet words whose pull pervades, magnet words that eclipse any positive strides forward, any success, any brilliant moments.

You may be a writer Rachel, you may have a few neat projects on the go ... but you don't deserve it.

You don't deserve it because you should be thinner and fitter and you should

you should

you should....


Take your medicine, practice your self-talk, stake a pole of champion. think! think of all the wonderful things.... compare.. look around you....



February words: I will try. I will try to reclaim you...

But words are hard

and I know a lot of them

and I cut myself with them over and over again.....