“Because for the first time in months, maybe years, a person, a food, a need, an answer and an inspiration had melted together and become whole. This is what I was after and it felt close. I simmered with giddiness.”
Lizzy and Jane is an effortlessly
told story of illness, grief, familial relations and the frayed ties that bind. Two sisters separated by distance and wedged
by loss rediscover what connected them in the first place as Lizzy learns to
relinquish control, find love and adventure and give her heart completely.
"It's literature ! And you never talk down the reader. You expect them to have a working knowledge of Dickens and Hemingway among others. And the themes are so subtle and resonant. And the dialogue just sparkles. It's edgy and sardonic and bitter and buoyant and sparkly and all good things ! The setting of Seattle just permeates the page. And I can see its colours and smell what Lizzy is cooking and it is remarkable. The whole thing. Just perfect"
With a coy nod to
Austen and a breathtaking voice that never takes the reader’s working knowledge
of classics for granted ( indeed, expects the reader to rise to the whipsmart
level), Lizzy and Jane is the benchmark for cross-over fiction sprinkled with
inspirational themes yet woven in a unique and literary voice.
“Suddenly I knew two
things: Nick couldn’t leave and winks were better than chocolate.”
“Great writers and
my mom never used food as an object. Instead it was a medium, a catalyst to
mend hearts, to break down barriers, to build relationships"
“I tapped Emma,
resting on Jane’s lap: You see it in Austen. She only mentions food as a means
to bring characters together, reveal aspects of their nature and their moral
fiber. Hemingway does the same, though he skews more towards the drinks.
Nevertheless, it’s never about the food---it’s about what the food becomes in
the hands of the giver and the recipient.”
Reay has constructed
a sub-genre of literary love letter infused with enough favourite reads to peak
the interest of those familiar while weaving the same themes in an accessible
way for her readership at large.
And the tenets of Grace are so smart and delicate. As smart and delicate as the reference she makes to Babette's Feast: that gorgeous movie shaped by the Isak Denisen book and appropriated by Philip Yancey for What's So Amazing About Grace:
“It’s
a movie-," a sleepy Lizzy informs Nick, " a Danish movie about a small remote village that gets caught up in
petty squabbles. Then Babette, a formerly famous Parisian chef, comes to work
for the two main characters. It’s about a glorious meal that brings forgiveness
and….love.. It brings love.”
Grace is never so
greatly epitomized than in communal feasting and that motif stretches lyrically
strong through the work without bludgeoning the reader with the obvious stick. We deserve this novel, reader, you and I. We are WORTHY of this novel, you and I. Reay writes for the thinking person.
“It’s never too late
to learn that the love needs to be greater than the like.”
“She had collected
herself and somehow it made me feel like I’d reached the end of a good book –or
a lovely movie—a soft sadness crept over me.”
“She never goes for
the obvious. Her hero puts you in a carriage because that’s what we want---someone
to love us like that, to woo us even if our egos or our fear makes us resist…”
She understands
Austen, yes, but she also understands the internal structure of the reader and
a reader’s connection to sense, place, time and food. Lizzy and Jane’s past experiences are
imprinted by Austen and the tireless mechanizations of chemo and loss cannot
separate them from that indelible stamp.
Yes we need to thank
Katherine Reay; but we also need to thank Thomas Nelson. Readers deserve this fiction.
You can talk all you want about the “state” of Christian
fiction, how it “dumbs things down” or crosses lines of accessibility sacrificing
its literary intent; but you are wrong when you pit yourself against an artist
like Reay.
She is not in the business of writing books. She is in the
business of crafting experiences and forcing you to remember, to revel in and
to relish the first moment you creaked the spine of a favourite tome and fell
into its world.
Read my review of Dear Mr Knightley for Breakpoint
1 comment:
Rachel, my name is Daisy Hutton, and I'm the Fiction Publisher at Thomas Nelson. Your post on Lizzy & Jane made me cry. We have so many perception hurdles to overcome as a publisher of Christian Fiction, and your appreciation for Katherine's writing and the work that we are doing is such an affirmation. Thank you!
Post a Comment