

I did Carl's RIP Challenge a few years back and did I ever enjoy!
"A plate of apples, an open fire, and a 'jolly goode booke' are a fair substitute for heaven", vowed Barney. -L.M. Montgomery, 'The Blue Castle'
The Book of Fires by Jane Borodale is set in 18th Century rural England and London. After surviving a hellish rape and subsequently stealing enough to forge her way to the grimy and vast city of London, Agnes begins a life pregnant and alone.
With the exception of a tawdry and mysterious woman she meets on the coach, Agnes is altogether alone. Happenstance finds her on the doorstep of the Rochester-like Mr. Blacklock; a surly and seemingly meretricious man whose great possibility lies in his quest to add light to fireworks. As his assistant, Agnes deals in all manner of pyrotechnics; liaises with the other mistresses of the Blacklock household and flirts with the advances of a mature admirer or two.
This book is dense and the writing is beautiful. I found the subject matter and Borodale’s attention to detail captivating. Moreover, I enjoyed the unique feel of the book and the wholly unexpected turn at the ending.
Readers of Geraldine Brooks will be in their element.
I have also read the entire Isabel Dalhousie series by Alexander McCall Smith. Isabel Dalhousie is an erstwhile detective with a tender and seminal perspective into human psyche, morality and a casual judiciousness which sets her apart from numerous other female detectives. With the same quirk, warmth and heart as Smith’s other great lady detective, Isabel is rather the Precious Ramotswe of Edinburgh. Smith paints his native Scotland with a coloured grey light often calling on Auden and Burns to collaborate in his portrait.
C.S. Harris is my other discovery of late, What Angels Fear was intended as a quick beach read; but I soon found myself falling for the series. I have heard the hero, Sebastian St. Cyr referred to as a hybrid of Mr. Darcy and James Bond and this representation is accurate. Harris writes a gripping and graphic mystery and the first two of the series ( the rest are already checked out of the library ) were wonderfully-paced and chockfull of interesting tidbits from the Regency Era. The inclusion of politics and the seedy underworld of England at that time are well-rendered and I especially love her characterization of the foppish and boorish Prince Regent himself.
A Civil Contract by Georgette Heyer was a book I had wanted to read for quite awhile. I had heard it didn’t fall in line with the traditional romance ---- especially not any romance of Heyer’s ilk. What I found instead was a careful meeting of minds. A marriage of convenience, tradition and civility that blossomed not into passionate love rather into mutual understanding and respect. I must admit to being someone devoid of my usual Heyer-fulfillment at the end due to the fact that Jenny’s long unrequited love for the dashing and solemn Adam was not reciprocated in the way she desired. Instead, it seemed as if she was settling for the only love from him she was likely to have. The story wrapped up neatly; but not with the same heart-stopping felicitation as other Heyer novels. This certainly made it more believable and certainly the dark undertone of the story spoke to Heyer’s malleability and craft. That being said, I read Heyer for romanticism and while I got it in a small scooping, I wish I had been overcome with it at the end of the novel. A very well written book.
The Help by Kathryn Stockett was one of the best-written books I have read in an age. Mindful of its hype, I stepped in hoping it would make a passable plane read. It certainly did. I read it in the 9 hours from Austria to Toronto. The vernacular of the two contrasting African American maids and the southern white woman who records their circumstances and stories is nothing short of amazing. Stockett permeates her book with a strong emotional conscious reflective of her own experience with her own maid. At once heart-warming, tragic and amusing, the book holds all the yo-yo ups-and-downs of real life. Moreover, it boasts a contextual relevance and inspires a frightening realization that the history so painfully rendered in the novel is not so far off.
I really enjoyed Stealing Home by Allison Pittman so I was excited when The Bridegrooms became available. I recently returned from vacation in Austria and before planning on a trip to a largely German-speaking land, I wanted to make sure I took enough English language books to keep me occupied on long train trips and in my hotels at night after exhausting days of sightseeing. Was I EVER right in bringing The Bridegrooms.
I love Americana!: the glorious and idyllic turn-of-the-century years of ice cream shoppes and peanuts, popcorn and baseball. Pittman inserts a healthy whipped-creamed dollop of nostalgia but also a sense of longing and wistfulness for an innocent time out of reach. Vada and her four sisters are startlingly different in personality and thus warrant startlingly different beaux. Not unlike Little Women, the sisters are believably rendered on page and their triumphs and travails were heartwarming! The book spans little more than a week in the life of four girls abandoned by their mother at a young age. The mystery of their mother’s disappearance and the spiriting in to town of The Bridegrooms: a raucous and rowdy baseball team are at the core of this fun and fast read. While so many authors would have planted romance blossoming from the heroine encountering an out-of-towner, Pittman chooses instead to study our concept of romance and our romantic ideals. How much romance can be found in the whirlwind of a traveling sportsman, how much romance exists in the steadfast and stalwart, if somewhat consistent, suitor from your hometown? Garrison, Vada’s patient and virtuous fiancé is absolutely one of the most winning ( if quiet and steady) heroes in Christian fiction this year. This was equally as compelling as Stealing Home. Pittman OWNS this era and I am so glad she stepped up to the plate and hit it into the Christian historical field.
I had been a previous book club in university but that turned quickly into “book club”: an excuse to get together at the pub and drink red wine and conveniently forget to read the book. Besides, one co-bookclubber wanted to read She’s Come Undone by Wally Lamb and as it wasn't 1999 and as we are no longer in high school, we cannot make excuses for that kind of thing, booksnob that we are.
So…..
This book club is meeting for the first time at a favourite haunt in the Annex on Wednesday Night and I have high hopes. Why? Because we read a book that has a lot of points for discussion.
The Piano Teacher with its startling cover, comparison to Michael Ondaatje and caption that “Sometimes the end of a Love Affair is really just the beginning” gives the impression of an exotic, perhaps tortured love story set in the orient, with colour and lovemaking and regret and loss.
It brought to mind the Painted Veil ( that gorgeously-spun book by W. Somerset Maugham) on first contact.
Reading it, however, left me with quite a different impression.
This is not a mysterious beach read. This is not the enigmatic Memoirs of A Geisha: what with its romanticized world of the mystic orient and its slowly unfurling love-story.
Instead, it is a troubled, troubled story about lust, greed, power and corruption: set against the canvas of Japanese occupied Hong Kong in the early 1940s.
Flipping to and fro from 1950s Hong Kong and the viewpoint of the English Piano Teacher,Claire Pendleton, to the wartime experiences of her love, Will Truesdale: a Britishmen helplessly in love with a Eurasian goddess, the socialite Trudy Liaing.
Will and Trudy’s wartime experience vibrates well into the next decade and, readers surmise, into generations thereafter.
This is a wonderfully written book with sparse, taught prose and a real “feel” for the time and place. Lee has done her research and her words just breathe the essence and place she is writing about.
A sometimes-problematic approach, Lee’s descent into war-time Hong Kong and back to the early 1950s runs very smoothly.
A mystery involving the famed and fictional “Crown Collection” ( an abundance of wealth the Japanese long to capture from British occupants) is the centre of many different, tragic lives.
The story’s thesis is not so much about love experienced and lost rather the lengths people will go to sustain propensity, status and wealth. Lee’s descriptions of the foreign English internment camps erected by the Japanese invaders were harrowing and sad. Indeed, I knew very little about this slice of the war before reading about it in the book.
The main problem ( and its hard to say problem because this may well be Lee’s intention ) is how unlikeable all of the characters are. I had trouble identifying with the exotic and sexualized Trudy, the proud and stiflingly honourable Will, and especially the social-climbing Claire: who pilfers trinkets and scarves from her employers when she arrives to teach daily piano lessons.
Perhaps I had trouble identifying with the characters because I refused to see what drastic measures and actions they took in relation to myself. It is hard to imagine how one would act and what lengths they would go to in order to survive during a war-occupied regime. Lee’s characters often cross the line between mere survival and survival-with-something-to-gain and it was this dark and deeply upsetting perimeter that mostly affected me.
There is a wealth of discussion strewn through the book and it will make a fabulous book club pick for any group! The edition I have comes complete with a book club guide but anyone reading the book will find points popping up straight of the page.
Readers of Wayson Choy, Lisa See and Ondaantje will not be disappointed!
The Trotsky (a T.I.F.F. favourite)is set in contemporary Montreal. It features Jay Baruchel --- who will have my heart forevermore after voicing Hiccup in How to Train Your Dragon and Colm Feore --- who has always had my heart but has it even moreso since his turn as Cyrano in the Stratford Production of Cyrano de Bergerac last summer.
17 year old Leon Bronstein believes he is the reincarnation of the infamous Russian Revolutionary and once taken from his carefully-cloistered private school and placed in a run-of-the-mill public system he takes the term student “union” literally and plans to overthrow the Government. Here, the government is the tyrannical Mr. Berkhoff, played villainously by Feore.
I thought this film was fabulous. It was funny and clever and featured Baruchel in another empowering teenage role. Leon is not your average young man and his scheme border on manic. But, as his enemy, the head of the schoolboard attests, he is a brilliant young man. Baruchel is endearing as a vulnerable and confused teenager who experiences finding himself and his purpose by reimagining an intense part of liberal history.
As much as the coincidental circumstances in Leon’s life align with Trotsky’s (including an impassioned affair with an older law student named Alexandra), much of Leon’s experiences are created and crafted by an ingenious teenager who sees himself as having a greater part than his world allots.
The climactic scene in the film, where Leon stages a voluntary coup ( led by students dressed as the eponymous creatures from Orwell’s “Animal Farm” ) is surprisingly thrilling and tense. Leon’s a bit of a nutbar, but you want him to succeed. Sort of like the hero in a Gordon Korman novel… which leads me to surmise:
All-in-all, this film was cleverly written, utterly Canadian and immediately called to mind a plot from a Gordon Korman novel.
Now we just need to cast Jay Baruchel as the reincarnation of Boots in the MacDonald Hall series.
(also, Canadians, there is an amazingly giggly scene in which Baruchel's character is featured on E!Talk Daily with that annoyingly side-burned Ben Mulroney!....nice little inside Canadian joke)
Two Rachel Thumbs Up.
The Miracle at Speedy Motors by Alexander McCall Smith.
I cannot say that I have read Smith’s No 1 Ladies’ Detective Agency series in order---- nor have I sped through the series one after another. I read them now and then. Usually if I am in the mood or if I happen to stumble upon a copy at a used bookstore.
I find this is one series you can read out of order. Though the characters and plotlines continue throughout, the sparse, happy prose moves in such a way that you can catch up. You will easily clutch Smith’s sweet wisdom in the same way that the traditionally-built Mma Ramotswe clutches a cup of her beloved bush tea.
As is usually the case in the series, The Miracle at Speedy Motors opens in a slow, languid, yawn of a fashion with beautiful Africa spread as a canvas and the colourful characters of Mma Ramotswe, Grace Makutsi and JLB Matekoni ( now, like old ,tried friends) inching along the coloured backdrop like figures on a felt Sunday School board.
Yes, there is a mystery--- this one involving a woman and her family. Yet, like the best detective fiction ( and by “best” I mean the stories I hanker toward most often ), it is not so much the problem or its solution rather the characters and how they intertwine with the problem that keeps me dappling in the genre.
There are two major subplots to this absolutely charming novel: Mma Makutsi and her fiancé have found a suitable and comfortable bed for their upcoming life together but strange happenstances find Mma Makutsi’s bed ruined by an onslaught of rain. JLB Matekoni has met a doctor who he believes can heal the spinal injury of his adopted daughter Motholeli.
The scenes in which Rra Matekoni expresses his assured hope in Motholeli’s certain miracle are so touching you just want to sit and deliciously sniff at how sweet and warm and wonderful these characters and their world are.